![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Deadline for challenge 273 is Tuesday May 20th.
I never guessed that the Willow icon was Deborah's. She's a wonderful artist (see the Servalan icon I snagged for confirmation); but I thought I "knew" her style in general. This icon is on another level entirely. It suggests feminine mysteries revealed, from within a cave, the womb or a strange ansd rare flower. Becoming, but tenatively so. Rua's icon is a bit more subtle visually and I almost overlooked it at first; but there really aren't many nice Xander icons out there that I've seen, and I slowly fell in love with it. Which is a big deal because I'm not easily drawn to images of men, and Xander is an interesting character but hardly my favorite. This icon makes me want to cry; good lord, the expression on his face. He's so terribly young to be so old. He seems middle-aged already (is that what happens to children growing up in a war zone?) The effect at the corner reminds me both of a watercolor painting and the corner of a newspaper tossed on the curb. Old-tea coloring.
And likewise Dragony's Giles icon - so, so old, so melancholy; autumnal, fading, isolated. A reluctant parental-figure who was himself poorly-parented but is somehow expected to guide these children; a Watcher whose emotions and intellect are at constant war with one another, neither side quite winning out in the end; a man who wants love, who wants to connect but has no idea how, and who thrusts family and love away each time it comes to him because it's all he knows to do.
You may be shocked to read that #5 in that challenge was my alternate choice; I have no idea who made that one. Yes, I came within a hairsbreath of voting for a Bangel icon - of the EoD/Chosen kiss, no less. It's a simple crop - no distractions, the golden background gentle pushed back from the figures; the visual platonic idea of a "kiss" in our culture. You needn't even know the characters, the fandom or the context to get that far. A good icon starts with a good image. But again, this is muted, slightly hazy; the autumnal coloring suggests a relationshipp that exists somewhere between the lands of "perhaps someday" and "never will again".
2) I feel much the same sense of excitement looking at the entries for
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
3) Sign ups for round 1 of
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
I don't know yet if I'll sign up for this round; I'm still taking my time learning about these 20in20 challenges; they seem daunting to me, but so did slayerstillness,
otherworldlyric and
btvs_hush at first. icontests have definitely pushed me to improve my own work both by doing and by the example of other artists.

4) Due to lack of entries dragonydreams extended Otherworldlyrics challenge 172 extended one more week - and you know what that means:
I will be nibbling my fingers anxiously until May 23rd second-guessing the entries I sent in the other day and wondering "Should I switch one? I should totally switch one. No, I shouldn't. Yes, I should dear god the freakin' agony (was that supposed to be a secret? Um....) We all have one more week to get in our entries inspired by the Cure's "Watching Me Fall".
I had to read the lyrics of that song a couple of times before it sunk what was going on in it: a guy describing himself pick up a prostitute in Tokyo as is he's having an out of body experience. (Hey, I've never hired a sex worker, so what would I know?) She's described as if she were a stereotypical movie hooker, a doll, a siren or seductress rather than a human being - and he's the one "falling". Ok, so this guy has an itch to scratch and the money to buy himself an hour with a sex worker who is totally dehumanized in the song and he's complaining? Waa-waa, poor little me with my male priviledge and superior economic status and yet I'm morally helpless...oh give me an effing break. This is stuff is straight out of Genesis. Hey, dude, here's an idea if you're feeling dehumanized by the experience: start by treating the sex worker you hired for the hour as another human being. Knowwhatimean?
Honestly, that song is just begging to be deconstructed. Possibly with a sledgehammer shovel a few well-made icons.
no subject
Date: 2014-05-27 08:48 pm (UTC)I've been looking for an excuse to use this gif.
To me the male body has lovely lines ... it is the shaping and toning that draws me in.
Oh indeed it does - or it can. My sweetie studied artistic anatomy in art school and did a lot of painting, drawing and sculpting of nude male models from live models - most of whom were retired, aged, not in great shape; or were but, um...yeah....
Get myself out of the hole I'm digging myself in here...I think what you mention, shapes, tones, lines, are why I'm drawn to Sarah's face in the late seasons rather than her more rounded face in the early seasons. She's too thin in the late seasons but there's the planes of her face to play with, so much shadow and light. Early seasons Sarah is the same problem I have with Michelle (Dawn) - how to make icons without making their faces look like dumplings? *lol*
So, I think I understand. One needs surface planes and shapes to work with. That's why I thought an icon of Angel's face would be terrific to play with. *le sigh* next time.
so that one of Joyce was typical of that theory.
But it has a nice balance - the set of her mouth, her curls; and I liked the color you chose precisely because it's the color I asssociate with Joyce, neutrals - a warm camel or fawn color. Buffy wears the same color a lot but especially that long leather coat we see repeated in S7 - from Him to EP and End of Days.
no subject
Date: 2014-05-28 07:12 pm (UTC)Yes, I have a real thing for shoulders and arms .... although add a nice smile and you definitely have a winner!
I'm not fond of "sweet" people ... so again I think that the softer lines of the girls, such as early Buffy, make me think of those characteristics. (I worked with someone who was so, so sweet .... while stabbing you in the back!)
Glad that the colour tones of Joyce worked ... but that was, as ever, guesswork .... I must be getting better at guessing ... LOL
no subject
Date: 2014-05-30 05:47 pm (UTC)*lol* You are welcome! how about Joyce and Spike in Becoming:
I can appreciate what you mean about shoulders and arms. This week I've been working on my 20in20 icons of Buffy and I can (and have) spent hours on the architecture of Sarah's nose, brow, cheeks, etc; the bones just beneath the flesh, the way the curves and angles intersect. And I don't think she's that pretty or sexually attractive, but she's interesting to look at. Or hands - I love hands, and all the hand symbolism in the show. If I tried to explain it rationally, I couldn't.
Also, shoulders and arms come with hugs!