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So here's the sequence of events (and there will be a pop quiz later, so pay attention please):

1) [livejournal.com profile] clockwork_hart1 asked for fic requests in order to occupy herself whilst in the hospital. I asked for a Buffy & Tara friendship fic. She responded with "Talk to Me (That's What Friends Are For)" . In case you missed my pimpage the other day it's a "missing scene" that takes the dross of one of the mind-bogglingly worst episodes in the series, "As You Were" and spins pure gold from it. Buffy goes to Tara after the credits roll and offer each other compassion, kindness, and gentle understanding, punctuated by tears and laughter. The story also makes explicit a point that, like every other connection between them, is underplayed and overlooked: Both Tara and Buffy have, at some point in the series, believed themselves to literally be "demons", to be "wrong" at their very being and been scarred by that belief. (And [livejournal.com profile] clockwork_hart1 wrote this while recovering in the hospital, people. R-E-S-P-E-C-T!)

2) [livejournal.com profile] comlodge read the story and created a gorgeous Buffy and Tara friendship banner for it. There's something in the delicate coloring that emphasizes the emotional fragility of the characters, even as the text from the Burt Bacharach/Carol Sager song assures us of the strength of their bond. She used one of the screencaps from that last scene in Dead Things of Buffy and Tara in Buffy's living room. (You know that scene, right? The one that smashes my heart into tiny pieces no matter how many times I watch it, and is one of the reasons Dead Things was the very first ep I had to watch when I finally got internet in my new apartment?) [livejournal.com profile] comlodge is known and loved mostly for her Spike fanart but every time she turns her attention to other characters in the 'verse she knocks it out of the park.

ETA: And she did another Buffy & Tara banner just before that I only just now saw - same scene, but the moment where Buffy's head is in Tara's lap, sobbing "Please don't forgive me." Very different tonal feel from one banner to the other; both of them equally gorgeous. It's not who she's sleeping with that is, at heart, the issue here IMO; it's her shame and guilt regarding her own behavior. (And has anyone else noticed that Joyce's photograph is next to Tara in that scene btw?) Imagine that she's sleeping with Xander; or random strangers off the street and the scene plays exactly the same way.

MORE, PLEASE. I have to say that all these "presents" and creativity, one idea leading to another, a work in one medium inspiring another and who knows what either one will inspire in turn? This is one of the finest aspects of fandom - of this fandom in particular.  Also of interest to me if nobody else: Thanks to [livejournal.com profile] clockwork_hart1 I have been a beta for the first time ever in Buffyverse fandom. That's a present (to me) in and of itself.

SO NOW I'M GOING TO MAKE ANOTHER REQUEST: A BUFFY and TARA FANVID. Something that emphasizes the parallels between them. Or one that focuses on Tara's role in the Buffyverse outside of W/T: sister, friend, mother-figure; the stranger who truly "sees" (Who are You); the bridge between Buffy's symbolic sisters (Willow and Tara) and her literal sister (Dawn), who replaces Faith as the "harbinger of Dawn" (Restless); the girls marked out as "different, demonic" and carry that shame within themselves; and so forth. I can provide the meta ideas, if need be.

Anyone want to take me up on it? 

Date: 2013-10-18 09:20 pm (UTC)
From: [identity profile] red-satin-doll.livejournal.com
I sometimes think she is too linear and therefore leans to the masculine, in her thought patterns.

That sounds like a description of Willow, the "computer programmer" who approaches magic as if it were an IT program she can manipulate; and who is more "intellectual", and in some ways aligned with Giles as "research girl." Buffy esp early seasons is very creative, intuitive and feminine. She saves the world - a lot - in part because of her ability to put clues together, listen to her intuition and come up with novel solutions. That's part of what makes her different than most Slayers up to that point; Kendra represents the WC approved model trained to be nothing but a killing machine, an automaton (like the Buffybot.)
Even in later seasons she's still very nurturing, if not in "obvious" ways all the time; she's not as "soft" like tara is. But tara doesn't have the burden of the entire world on her shoulders either. (And how "soft" does Buffy have to be? How many tears does she have to cry, to be accepted by her friends, by fandom?) Buffy takes care of Dawn, protects her friends, sacrifices her life twice for friends and family as well as the world; that's a VERY stereotypical "female" trait in our culture. I would have hated the show to end with the Gift: another female martyr.

I wonder if that is because they were writing her like a man trying to make her the hero


Again - see the early seasons. In S1 they emphasized her girlyness in part for the novelty of it - "the blond girl in the alley who is the one killed first in the horror movie turns and is the hero instead". I don't think "hero" is masculine or feminine. I don't think "hardness" or closed-offness is inherently masculine either.

Joss is not as much a feminist as he likes to think. The big arc is: Buffy has to become closed-off and lose (or think she's lost) her ability to love ONLY to open her heart again right at the end. THAT'S her "hero's journey". The shipper in me delights in that, the feminist wonders WHY is "learning how to love" the most heroic thing Joss can come up with for a female hero? That's not the arc for male heros in general; achievement in the world is the masculine arc most times. buffy has to confirm her ability to relate (esp to a man) and connect/share power (the Potentials), men are expected to confirm their individuality as heros.

I do recall from past conversations that women who are 'too masculine' is an issue for you. I'm not sure where that line is drawn, though or how you define that?

As a lesbian, I'm aware of the history of lesbian women in this society who are considered "mannish" or "masculine" even if they aren't "butch"; or are "usurping masculine priviledges." So I'm somewhat sensitive to the implications of that. (People will assume that I haven't wanted to have children because I'm a lesbian, for instance, which assumes that I am not a "normal woman" and that "normal women" of course want children. Rather than, I just happen to be someone who doesn't want kids, doesn't believe I can raise them and doesn't want to be an abusive mother and bring more hurt into the world.)

But I digress....

Date: 2013-10-18 11:00 pm (UTC)
From: [identity profile] clockwork-hart1.livejournal.com
I would have hated the show to end with the Gift: another female martyr.

Right? A lot of people say the gift would have been a great finale, given that it brings Buffy's journey - as a hero and a slayer - comes to it's logical (see: fatal) conclusion. I call bullshit.

Yes, The Gift is a rather magnificent episode, one that I do really like, but it shouldn't be the end.

The whole point of Buffy and her legacy was to make girls feel strong, let them be their own heroes (well, I think that's what Joss was aiming for, anyway), and so to just let her die, the sacrificial lamb, as it were, is complete nonsense, particularly as the outside world - within the verse - would still have no idea of the impact she's had. She'd fade into obscurity as being, just like what you said, "another female martyr".

Okay, now I'm breathing.

WHY is "learning how to love" the most heroic thing Joss can come up with for a female hero?

Again, THIS. That is awful, right? While, as a character, it can be argued Buffy's power stems from love, there are also consistent points that suggest not loving is a slayer's downfall. Look at the autonomous Kendra - it's made clear throughout that she's been all but starved of affection, and Buffy's caring perplexes her; guess who dies less than a year into her Slayerhood, appearing in only four episodes? Then Spike's comment in School Hard is just as telling, "A Slayer with family and friends. That sure as hell wasn't in the brochure." This coming from a guy whose studied Slayers, killed two.

Sorry, is my feminism showing?

Date: 2013-10-19 12:18 am (UTC)
From: [identity profile] red-satin-doll.livejournal.com
ETA: I just had some more thoughts about Kendra and Faith going off your comments. Will have to wait until Monday to post, alas!

Sorry, is my feminism showing?

Hell yes AND I LOVE IT Agree with EVERY SINGLE WORD. PREACH ON!
Edited Date: 2013-10-19 01:02 am (UTC)

Date: 2013-10-19 03:05 pm (UTC)
From: [identity profile] clockwork-hart1.livejournal.com
Well, I lie in waiting 'til Monday, then!

Date: 2013-10-21 08:17 pm (UTC)
From: [identity profile] red-satin-doll.livejournal.com
Oops, have to make it "tuesday" sorry hon. I get so freaking distracted by all the stuff in my inbox.

Date: 2013-10-21 08:33 pm (UTC)
From: [identity profile] clockwork-hart1.livejournal.com
Aww, that's fine. Not like I'm going anywhere...

Date: 2013-10-22 02:16 am (UTC)

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