![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)

Teasers for more artwork after the cut:



I've praised this author's work and this particular story before, but I won't pass up another opportunity. Ever since I entered Buffyverse fandom I've wondered at the absolute dearth of Joyce-fic out there. A huge number of fans - and authors - are women of a certain age and mothers, after all. And fanfiction is designed to explore what goes ignored, overlooked or forgotten in canon. This story fills a huge need and I hope will inspire other writers.
The project sat on the back burner a bit longer than I'd intended. I've had the basic composition in my head for months; making sketches in my notebook, however crude, really does help me remember my intentions. This is pretty close to what I first imagined; the biggest difference from sketch to poster is that I wanted a shadowy "ghost image" of Buffy walking away from home in Becoming, or sitting on her bed in the dingy apartment in Anne. But neither image worked quite the way I'd intended.
Technically this was my third go at the poster for this story. " Version 2" (b & c below) was a lot more complicated, busy, bright and overstuffed with details (layers! layers! layers!).
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
I also realized I needed something closer to a square-ish shape to fit Gabrielle's journal format. Version 2a-b below features a "flame" texture I got from
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
The thing about poster art for me is that, I want the recipient to love it; I want them to feel that it's an absolute perfect fit for their work because the point of me making a poster is to honor their prose and encourage people to want to read it. And yes, I absolutely realize that's kind of selfish and egotistical on my part, but I like to think of it as a "win-win" situation all 'round.
Which is to say, if I ever make an artwork for you, Gentle Author, and you don't love it with your heart and soul, be honest and tell me and if I can't rework it, I'll let you know.


For the final version (#1 above), I removed the texture, cropped it differently, and used a different texture altogether - a photograph of a bonfire in our front yard I'd snapped the night. I expanded it on low opacity in Layers mode, stretching and moving it about. Somehow a curve of flame fitted against Joyce's cheekbone so I left it there; then I added a second layer of the same photo but smaller, to fill the space in the lower left around Joyce's chin and conceal the edges around Angel's hand.
Half the task of making banners is covering up the joins, I swear.
The flames have a meta purpose in the image though; Angel has just returned froma literal Hell (this story takes place the summer between S2 and S3); but Joyce is in an emotional Hell which she knows is partly of her own making; in discovering Angel at the mansion she takes a headlong dive into her daughter's world in astonishing ways.
Below is what I call "Version 1". This was the image I turned into an icon for Gabrielle a few months back, because she'd asked for one for Christmas; and which I've reworked slightly to make into a poster for her story "We Tell Each Other Fairy Tales". The problem is that I don't think it really fit that story, which is mournful, angsty and angry. It's Jangel but it's not "shippy" in a traditional way, and this poster uses the fantasy image of Joyce that Xander had in his head from Restless.
So there's a mismatch here between an image that caters to romantic tropes and the prose which is anything but a traditional romance.
velvetwhip twists, deconstructs, slyly exposes and gleefully smashes all manner or romance tropes in her work. And she does it with incredible elegance and perceptiveness.
Half the task of making banners is covering up the joins, I swear.
The flames have a meta purpose in the image though; Angel has just returned froma literal Hell (this story takes place the summer between S2 and S3); but Joyce is in an emotional Hell which she knows is partly of her own making; in discovering Angel at the mansion she takes a headlong dive into her daughter's world in astonishing ways.
Below is what I call "Version 1". This was the image I turned into an icon for Gabrielle a few months back, because she'd asked for one for Christmas; and which I've reworked slightly to make into a poster for her story "We Tell Each Other Fairy Tales". The problem is that I don't think it really fit that story, which is mournful, angsty and angry. It's Jangel but it's not "shippy" in a traditional way, and this poster uses the fantasy image of Joyce that Xander had in his head from Restless.
So there's a mismatch here between an image that caters to romantic tropes and the prose which is anything but a traditional romance.
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)

That image of Joyce from Restless was a bitch to work with btw, as are most caps of Joyce from the series, poorly-lit and unfocused. So not my best work but a good exercise. I actually think this one looks better in the icon version I made for Gabrielle. Speaking of:



And again I am borrowing
starry_night's succinct rules regarding my own arwork:
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
~ DO NOT RE-POST TO OTHER SITES (INCL. FANPOP) OR LJ COMMUNITIES WITHOUT MY PERMISSION!
~ Take what you like for personal use but please credit if used :)
~ No hotlinking!
~ Comments are appreciated :)
ETA: Nominated for Best Banner,
wicked_awards 2015 - THANK YOU for the nomination!
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
no subject
Date: 2015-07-21 05:35 am (UTC)no subject
Date: 2015-07-21 06:23 am (UTC)