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I meant to include these in my last post in celebration of the fact that
bangel_4e has kindly extended the voting deadline of
btvsats20in20 Round 8 until tomorrow (Sunday the 12th), and LJ simply would not let me. So let me try this again:
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Banners above and icons therein by your's truly, 2015. Image of Alyson Hannigan courtesy of The Chosen Two.com Gallery. Click images to enjoy full size. All banners in this post by me, icons by their respective creators. If you wish to share please credit and enjoy. Don't rip off my stuff or post it on some other site without my permission, capisci?
What follows is much verbiage and more banner images; forewarned is forearmed:
Yes, that was 3 (4?) months ago. It feels like both a forever-ago and just yesterday that I was ready to throw up my hands and drop out, and the wise and wonderful
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Full disclosure: when my babies don't perform well in competition I weep and wail and wonder "Why not? I don't get it." When they do well and are honored as they were in Round 6, I wonder "Why? Other folks' stuff is so much better. I don't get it." Starry's Harmony set, in particular, nearly caused me throw in the towel; it's just so damn gorgeously pretty and I loved how in lieu of actual holiday episodes for Harmony she created a gorgeous sparkle-y holiday feel with superb use of textures. So you, Gentle Reader & Voter, cannot win for losing.
I wish I could credit the photographer of the image of Aly because it's a fanartist's absolute dream of a photo to play with; besides being an attractive image the clarity and image resolution are stunning. There is absolutely no "meta" aspects or intellectual thought to these three banners except "Ooh, pretty! Why haven't I seen this image used in other fanarts before?" and "How do I set the icons and text across it without looking like snot is dripping out of her nose?" I originally used the other half of her face for the banners and had to redo them because greenish text and a large icon dropping out of someone's nostril is not an attractive look. Profit from my experience, Gentle Reader.
The normal ettiquette with 20in20 awards banners is apparently to make them only for folks who request them. I decided to throw convention to the wind: banners for everyone, barkeep! Which was essentially my excuse to play around and try to stretch myself a bit in terms of techniques. For instance, I discovered accidentally that if I had two images the exact same size, one with text, icons, etc and one without, I could layer them in texture mode and "transfer" whatever visual elements I wanted from one to the other without having to everything all over again from scratch.
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I made the Willow banners last of all; the first one I made was for
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I was going to leave Sarah's skin tone a touch warmer to emphasize Buffy's humanity in contrast to Angel's non-human status but decided it just detracted attention from the icon itself. (Since that round I have become a huge fan of
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Her Reason icon is a thing of GENIUS, y'all - it never fails to make me smile. And her Category set is another fantastically clever solution to the problem of creating a "holiday" category set. To my mind it's not only more clever, it's wittier and more inventive than my set because I had a holiday, ready-made, to work from; she had to create one from whole cloth.
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I already mentioned that
starry_night's Harmony set nearly caused me to quit Round 6 before I'd even made a single icon because they were simply so beautiful and accomplished and I knew I couldn't come within a mile of them. (I still can't, IMO.) That it took much hand-holding from
velvetwhip to get me to complete mine? Starry's icons are so gorgeous and elegant, I wanted the banners to suit them - and I kept coming up with images of Mercedes McNab showing lots of skin that looked like they were meant for men's magazines. Now I am all for a woman's right to display her own body as she chooses but that wasn't the look I had in mind for the banners. The image I found on The Chosen Two was a rare exception, very restrained and classical, almost "Renaissance".
It needed a little something extra though and my landlord's yellow rose set to difference/subtract/invert (one of the three, I don't recall which) to turn it black like Mercedes' dress was just the thing. Never underestimate just how handy a casual outdoor snap you've taken can be. I tried to keep the rest of the color scheme as close to the various shades of pink/mauve/purple found in the icons as possible. All of these icons are lovely and her Category set is a knock-out; I snagged her 3rd place Category icon because I simply had to have it.
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It needed a little something extra though and my landlord's yellow rose set to difference/subtract/invert (one of the three, I don't recall which) to turn it black like Mercedes' dress was just the thing. Never underestimate just how handy a casual outdoor snap you've taken can be. I tried to keep the rest of the color scheme as close to the various shades of pink/mauve/purple found in the icons as possible. All of these icons are lovely and her Category set is a knock-out; I snagged her 3rd place Category icon because I simply had to have it.
The Spuffy banner for
oh_cheezit's wonderful AC set from "Sleeper", an episode I love, was the last one I made aside from the Willow banners and in some ways the most difficult. I came into this fandom an S7 Spuffy shipper and by the time I'd made these banners, "Spuffy" had become an uncomfortable and even painful place rather than a comfort zone. I found it difficult to re-access my original love and enthusiasm for the pairing and perhaps this banner was above all else an attempt to reclaim my love for them on my terms. (I very nearly didn't make this one at all.) I was going for the sense of Buffy as the sun, as moral compass, a guiding presence to him in her life and in death but also, perhaps, a ghost or memory. My first try (below right) is very pretty and the icons pop but something's missing I think, it lacks overall unity and is a bit bland.
I cropped Sarah's face closer on the second try, pushed the blue-green color from the photo of James in the "crypt" and didn't notice until after I'd layered them that the roots in the crypts intermingled nicely with Sarah's hair so that they seemed intertwined. The image of James was actually of rather poor quality in some respects and I had to do a lot of blending around his face; it ended up more washed out than I wanted. I made several tries at the font colors with this one and never got it quite right; her name in particular looks too bright too me now. I'm still not sure that the banner doesn't overwhelm rather than compliment the icons. The final version is on the left and the alt is to the right:
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I cropped Sarah's face closer on the second try, pushed the blue-green color from the photo of James in the "crypt" and didn't notice until after I'd layered them that the roots in the crypts intermingled nicely with Sarah's hair so that they seemed intertwined. The image of James was actually of rather poor quality in some respects and I had to do a lot of blending around his face; it ended up more washed out than I wanted. I made several tries at the font colors with this one and never got it quite right; her name in particular looks too bright too me now. I'm still not sure that the banner doesn't overwhelm rather than compliment the icons. The final version is on the left and the alt is to the right:
I arranged the icon set a little differently to the other banners because for some reason they wouldn't line up in an exact line. When I staggered them a bit I thought it created a nice sense of both dimension and movement that I think suits the icons. There is a very cinematic feeling to this set;
oh_cheezit alternated long, medium and close-up shots like an expert cinematographer, but always with an emphasis on the varied emotions of the scene and Sarah and James' wonderfully expressive faces.
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So that's my story and I'm sticking too it - what say you, Gentle Reader?
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And apropos of nothing: I'm watching Episode 1, season 1 of the Rockford Files, "Backlash of the Hunter: Part 1." (Circa 1974)I haven't watched this show in decades (my mom was a huge James Garner fan back in the day.) Eleven minutes into the episode and we were just getting our first glimpse at the protagonist, Jim Rockford. There's such a leisurely quality to the storytelling that feels absolutely foreign today. And it's still the BEST OPENING CREDITS SEQUENCE AND THEME SONG EVAH.
My sweetheart said at the end of the episode "I don't think I want to watch that very often." Me? I'm thinking OMG James Garner is funny, charming, adorable and handsome in a rugged lived-in way and what happened to real leading men like him? And I do mean MEN, not the boys fobbed off on us nowadays. MOAR please.
My sweetheart said at the end of the episode "I don't think I want to watch that very often." Me? I'm thinking OMG James Garner is funny, charming, adorable and handsome in a rugged lived-in way and what happened to real leading men like him? And I do mean MEN, not the boys fobbed off on us nowadays. MOAR please.
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Date: 2015-04-12 02:31 pm (UTC)1) The crop on Aly's face is lovely. I love the way you made her green eye pop and I did not notice a snot effect with the icons.
2) The winter effect for Bangel is super pretty and it makes sense to leave Sarah's skin tone the way it is.
3) I love the way you reduced the size of the icons and made it look like Angel was watching over the festivities. I'm a sucker for star backgrounds as well.
4) The Harmony image is positively unique. I love the contrast you created.
5) Staggered icon set!! I love the depth that it gives the banner.
I am so proud of you! Thanks for sharing your artistic journey with us.
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Date: 2015-04-13 01:53 am (UTC)I love the way you made her green eye pop
Thank you, I still LOVE how that came out. I'd already done that with Buffy images for slayerstillness art in nov-dec but this is just the perfect version of that.
and I did not notice a snot effect with the icons.
Heh. It bothered me a lot in the original versions that cropped the other side of her face so her nose was sort of in the center of the picture. It's possible I was being paranoid. BTW I have the uncropped version, the textless crops, etc, they all look wonderful. Why doesn't that photo get used more often? It's dynamite.
2) I don't often go that "pretty", so this was really new for me. I also have the uncropped versions of that one and it's interesting to see the progression from the cap to a colder and colder image. Again, a lot of the strength of the banner is due to a great starting photograph. Sarah's warmer skin looks better in those versions because it's not pulling focus an icon.
3) Thanks hon, the Angel icons are actually full-size on the banner! If anything there's a little larger with the frames. I love setting off icons with frames and shadows but then I have to allow extra room on the banner for that. And I had no idea
made it look like Angel was watching over the festivities
I hadn't even thought of it that way, that's a nifty description!
4) Just more thank you and lots of blushing like a rose (pun totally intended). I'm pretty happy with that one as well.
5) I definitely want to stagger icon sets or use dynamic placements again on banners, so much more interesting that straight lines - so long as I'm not messing up the artists' intentions and aesthetic.
Thank you so much for being a part of this journey, sweetheart!
no subject
Date: 2015-04-13 02:21 pm (UTC)