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But first, a word from our sponsor: I need to give proper congratulations to the winners of Challenge 36
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Her use of "frames" and warm Old Master's color palette inspired me to try to do something on a larger scale. I was also inspired by
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And because I was just telling
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Click to enlarge - it's worth seeing the details but they're fairly large files, so be warned:
The photographs of the vintage-style wooden frames on all the images come from VIctorian Frame Company, which has some very high-quality images of their reproduction period frames. The outer borders on 2,4 & 5 are "Victorian wallpaper" images that I found on the internet. I don't know who the creators are as I've misplaced the links, so f any one knows I'd love to give proper credit.
For the first time since I got the news of her passing, (20 days ago, really not that long at all) I sat back and didn't ask myself "Would she approve?" because I know she would. She said to me months ago in reference to some of my icons for SS, "If this is what you can do with ipiccy, imagine what you could do with a really good program" like Photoshop or Gimp. It turns out I've still got a lot to learn and master in ipiccy, and even Photobucket's crude suite was useful here.
The photographs of the vintage-style wooden frames on all the images come from VIctorian Frame Company, which has some very high-quality images of their reproduction period frames. The outer borders on 2,4 & 5 are "Victorian wallpaper" images that I found on the internet. I don't know who the creators are as I've misplaced the links, so f any one knows I'd love to give proper credit.
#1 made entirely in ipiccy ; for #2-3 I took the poster sans frame to Photobucket to apply the vintage San Carmen filter once or twice, then brought it back over to ipiccy to apply the wall and frame layers. This is the first time I experimented properly with dodge and burn tools in Paint mode, after a recent conversation I had with
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For #1 I was trying to avoid cropping the poster in Layer mode, which meant I had to stetch/pull the image inside to fill the gold leaf frame, and squish the frame a little because it's a bit more square than the rectangular poster. The decorative scallop on inside edge of the frame made it possible to mask any slight gaps or imperfections in matching the images that would have been visible with perfectly straight edges.
Cropping in ipiccy Layer mode is incredibly tricky because when I'm working with layers, the program does not allow me to see anything except the layer I am currently working on, so I have to guess if the crop will match the space, then hit the "edit mask" button and try again if it doesn't. Also, there are no guidelines or grid for me to go by when I crop, so if I want to achieve a straight edge I have to eyeball it. All of this means that I end up cropping less often than I should and sometimes back away from ideas, try to find a workaround, smudge, blur or mask the imperfections with other layers and textures, or simply learn to live with them.
The final step was to crop out the white background around the frame with the basic crop tool.
#2 - I bit the bullet and cropped the poster art to fit within the dark wood. I decided I wanted to emulate
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Texture mode allowed me to erase rather than crop the portions of the wallpaper that covered Buffy and the frame. Erasing and repainting around the edge of the picture frame was the most time-consuming element of this step, but the idea of cropping the wall "in reverse to" to make it fit around the frame was too headache-inducing to consider.
#3 then is just #2 with the wallpaper cropped off.
The poster images of Buffy is not "perfect" by any stretch of the imagination. I could never figure out how to eliminate the pixelated edges without making making features look too smudged out. Hence the light leak textures, which don't solve the problem and only distract a little. I was less bothered by the edges on her face oddly enough than her hands and fingers. My original thought was to throw up one of these unframed fanarts and ask "What can I do within ipiccy or photobucket to fix this, if anything, folks?" and concrit is still warmly appreciated.
I also found a very pretty "cathedral" frame shape on the Victorian Frame Co. site, so I meant to try to cut her hands from the image altogether, but then it didn't look quite right and so:
The frame photo is the same in each. I put the two images together in layer mode; the frame itself set to multiply to keep it as dark and opaque as possible over the other layer. This time I didn't crop either layer; the space within the frame was white so that posed no problem in terms of Buffy showing through the frame. but then her arm and shouder show through the frame slightly on the right side. I had no idea how to fix that without going back and cropping.
#5 is another wallpaper pattern set around #6, again in texture rather than layer mode so I could erase the pattern from within the edges of the frame, choosing a file size compatible with my poster to avoid image distortion. A lot of painstaking work around the edge of the frame, although a little bit of light and softness doesn't bother me and it gives it depth. #5 was the first of the "wallpaper" versions I completed but I wasn't happy with the pattern and I didn't care for the color/tonality of it or the frame itself. And I still had the issue of the underlayer being visible through the frame. For #7 I experimented in texture mode with the wallpaper image in #2 & 4 above; when I set it to Overlay, it looked as though the pattern on the frame was actually incised into the wood which was a thrilling happy accident; and it lent a warmer, redder tone that suited the image better. It also slightly conceals the transparency on the right side of the frame that bothered me.
I added the same wallpaper image a second time to get #4, this time erasing the pattern from within the edges of the frame, and doing the whole erasing/repainting process along the edges.
Happy holidays or whatever you do or do not celebrate this year, a nice cuppa raised to
pickamix's memory, I'll be back after the holiday with some more art and don't forget to vote in
slayerstillness Challenge #37 in between all and everything you do.
I hope everyone reading this is exactly where they want to be, with whom they want to be with, or will be very soon.
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I hope everyone reading this is exactly where they want to be, with whom they want to be with, or will be very soon.
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Date: 2014-12-23 08:51 pm (UTC)Your use of that tool is already wonderful. I like the light you created on Buffy's face. I like the work you did on the background too.
Brava!
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Date: 2014-12-23 09:16 pm (UTC)Your use of that tool is already wonderful.
Do you mean the burn or the dodge tool or....? (I suspect ipiccy and PS are more different to each other than I ever realized before.) Those are actually a rather minor part of this but I enjoyed being able to darken/lighten or saturate only where I wanted to, rather than having to do it in reverse.
I also discovered another way of creating "bokeh" effects with applied shadows and light with those tools, which was fun.
A lot of what you're seeing is actually my favorite ipiccy textures, light leaks and light effects, including the "false bokeh". If I were to do these again I'd use the shine remover tool on her face a bit, I'm just learning to get comfortable with that tool.
I still have no idea how to get rid of the pixelated edges from this point except to shrug and say, better luck next time. Thoughts?