Everybody Loves Links
Jun. 25th, 2013 04:27 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
ETA: MORE PRETTY PICTURES! I'm incorrigible. Sue me.
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infinitewhale has posted a short but provocative meta about Buffy's dream in "Dead Things" and her own self-identification within the dream, briefly touching on the late-season Buffy & Willow parallels, and how Tara protects both women in OAFA. Hits my (bitter)sweet spot on about nine different levels. He was worried no one would want to read it, or that he couldn't write about the subject properly as a man. To which I say - nonsense, on both counts. If this fandom has reminded me of anything, it's that our shared humanity trumps gender differences unless we allow those differences to stand in our way. Also, meta like his allows me to talk about subjects of great interest to me, while still preserving my commitment to focus on the ladies here on my journal. (I'm sneaky that way.) ETA:
rebcake informed me this meta is f'locked. Oops. Sorry. Ask nicely to friend him and don't please embarrass me, kids (because I can manage that on my own just fine, thank you.)

fray_adjacent12 was inspired by recent conversations between myself and
kikimay re: the Summers sisters and the women of the 'verse, to create a new set of female-centric icons, including the scene from "Family" that I've grabbed, lots of lovely Tara-centric icons, Dawn, Faith, Buffy in S7.
kikimay confessed that the phrase "not in blood but in bond" comes from Thor/Loki movie fandom. a track by composer Hans Zimmerman for the Sherlock Holmes movie soundtrack. (Ugh) Too late, kiddo, it belongs to OUR fandom now. The Buffyverse's chosen families rule everything.

Off-topic but I feel like saying it anyway: Amber is such a gorgeous woman, isn't she? Every time I watch her in the show I think it's too bad no one in the costume department knew what to do with the body of a goddess, damn it. (There, I said it.)

Fray has also posted her very first poll (yay!) in the service of Buffyverse evangelism: "If you were trying to introduce someone to BtVS and only had 2-3 episodes to show them, what would you choose?" Personally, I went with option #1 - start with WTTH and proceed chronologically. Not that I'd try to influence your answer or anything.

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eilowyn is wondering if anyone would be interested in a meta she's working on re: Buffy and trauma. I say HELL YES - but that's just me. The post is f'locked btw but if you're not friends with her ask nicely, because she's worth getting to know.

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Off-topic but I feel like saying it anyway: Amber is such a gorgeous woman, isn't she? Every time I watch her in the show I think it's too bad no one in the costume department knew what to do with the body of a goddess, damn it. (There, I said it.)

Fray has also posted her very first poll (yay!) in the service of Buffyverse evangelism: "If you were trying to introduce someone to BtVS and only had 2-3 episodes to show them, what would you choose?" Personally, I went with option #1 - start with WTTH and proceed chronologically. Not that I'd try to influence your answer or anything.
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*** Speaking of Tara, polls, and OAFA (yes, I did; weren't you paying attention?)
mcjulie posted her OAFA episode poll. Two things to keep in mind: Tara, in all her gentle AND badass glory, and...Clem! Everybody in fandom loves Clem! Love the comics, hate the comics, early-seasons fan, late-seasons lover, what-have-you: he's the one thing in the 'verse that we can all happily agree upon. World peace is at hand. You're welcome.
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no subject
Date: 2013-06-29 11:55 pm (UTC)Clem is so easy-going, he almost isn't a demon. He's more - a really funny-looking stoner? I get the sense that to the rest of the demon world Spike is persona non grata ever since he teamed up with the Slayer in Becoming. Or is that just with Dru?
The rest of the demon world does seem to hold him at arms length; but they know he can beat them up. OTOH why would he want to beat up Clem? there's no reason.
Maybe because she makes Spike look bad (both because she's the victim of his mistreatment, and also because she does good without chip or romantic obsession)?
He treats her like dirt (even compared to his beloved Dru), and SHE makes him look bad? (i know that's not your view but if it's fandom's - gross. Blame the victim.)
And come ON - she's hilarious in Restless and OOMM. Sometimes I don't get this fandom - or rather I do and I wish I didn't. *shakes head*
I can't find where it mentions Warren, though.
Crap i thought it was in that one. I'll find where it's at and send that link, sorry.
no subject
Date: 2013-06-30 12:49 am (UTC)If not then, then after he got the chip and started fighting other demons.
OTOH why would he want to beat up Clem? there's no reason.
For fun?
He treats her like dirt (even compared to his beloved Dru), and SHE makes him look bad? (i know that's not your view but if it's fandom's - gross. Blame the victim.)
This is purely speculation on my part, but I think a lot of people are uncomfortable dealing with the victims of people they like. I know the feeling, more so from other fandoms than this one, and more so when I was a kid, but still, I would have that attitude sometimes, of not wanting to deal with the victims of the bad behavior of characters I liked.
I'll find where it's at and send that link, sorry.
Don't worry about it. It was interesting to read. And it's cool if you can't find the other one.
no subject
Date: 2013-06-30 01:31 am (UTC)It's easy to forget that in School Hard he had minions at his command - sort of paralleled with the demon biker gang in Bargaining now that I think about it ("Chop her into messes" / tearing the 'bot to pieces ..hmmmm....)
This is purely speculation on my part, but I think a lot of people are uncomfortable dealing with the victims of people they like.
I think you're absolutely right. If you're not dealing with that person's dark acts, it's easier to whitewash them. I think I may have read one or two fanfics so far out of hundreds that deal face-to-face with Spike's victims, like the child he chased down in the coal cellar after killing the other family members. People turn Spike into a gentle poet who would NEVER hurt or rape anyone? WTF? Really? (And I'm probably guilty of that with Buffy sometimes, I admit.)
And it's cool if you can't find the other one.
I just asked her which meta that was. But anything she writes is amazing.
no subject
Date: 2013-06-30 03:32 pm (UTC)Yeah, and I think the show helps with that by not introducing us to any of his victims, except for Nikki Wood, and at least she was an equal fighter. I've always wondered what would happen if someone like Robin Wood, who had family Spike killed, showed up in S4-S6, before he had the soul.
Thanks for the second link! I will read it now.
no subject
Date: 2013-06-30 11:52 pm (UTC)Actually, in School Hard, Sheila is one of his first victims. (Remember the school's sexually-experienced "bad girl" who hangs out on the wrong side of the tracks, as contrasted with Buffy? and holy shit is that some wonky sexual politics there, Joss) He hides her, bound and gagged, behind the bedroom door and then before leaving Dru he encourages her to "eat something" and throws the terrified girl at Dru; the last thing we see is Dru vamping out.
I don't know what to call that except psychological torture with a sexualized component (bound and gagged, a common trope in torture porn fics) - as well as physical torture, because vamps feed on living humans. It's interesting to rewatch S2 to remind myself what Spike was like before the show (and fandom) woobified him. He was a fucking VAMPIRE, kiddies. He fed off terrified living human beings, and the terror of the victims is part of the thrill, what he "fed" off of in addition to blood. This is truth. Just because he didn't plan things in advance like some elaborate stage show like Angelus doesn't mean he didn't engage in torture or didn't enjoy the suffering of his victims. It just means he has a short attention span, no impulse control, and an inability/unwillingness to plan ahead, like some teenager with ADHD.
what would happen if someone like Robin Wood, who had family Spike killed, showed up in S4-S6, before he had the soul.
Pretty much the same thing that happened in LMPTM, to be honest. That is one area I think the show (and subsequently fandom) fell down - the perpetrator's POV is prioritized over that of the victims.
http://red-satin-doll.livejournal.com/17490.html?thread=375634#t375634
As she said, they went pretty over the top in terms of Spike beating the shit out of Robin and even seeming to bite him - but not doing so just to prove to himself he was in control? Yeah, that's some problematic shit there, and it doesn't get a fraction of the attention that DT does, for instance.
no subject
Date: 2013-07-01 05:30 pm (UTC)Good point. I sometimes forget about her since Dru was the one who actually killed her, but Spike still victimized her.
I agree that LMPTM is very problematic, but at least in LMPTM Buffy could fall back on the excuse that Spike was a different man because of the soul. She wouldn't have been able to do that earlier. You have a good point about Robin Wood's beating not getting the same attention as Buffy beating Spike in Dead Things.
no subject
Date: 2013-07-01 07:13 pm (UTC)Yeah, Dru's role was relatively passive (not that it's any less evil); she's still housebound/bedbound at that point, and Spike is the one "going to market" to bring home her supper; he has to have been the one to lure her (probably flirted with her, then bound and gagged her.) Sheila's nothing more than fresh meat to them.
S2 is extremely psychosexual in a lot of it's themes and tropes, not necessarily to the good, but then vampires always have been ever since Bram Stoker - linked to negative views of female sexuality. The monster and the woman are linked in the popular culture because female sexuality is "monstrous". This happens to be the episode where Xander pulls a tampon out of Buffy's purse at the Bronze and Spike says "I smell the blood of a nice, ripe girl." Not exactly subtle.
Buffy could fall back on the excuse that Spike was a different man because of the soul.
The thing is the show paints it as self-defense, and maybe this is no different from my contention in my Ted meta that Buffy had a right to fight for her life. But I think as in DT they went a little overboard for emotional effect, but they assumed in both instances we'd have sympathy for the perpetrator not the victim. So that's on Joss for approving it and the writers.
The thing is, in one instance(a portion of) fandom has sympathy for the victim and in another for the perpetrator - because it's Spike in both instances. Ultimately fandom prioritizes him in any situation - and the show oddly enough follows suit, by making his redemption more important, bigger and shinier than Buffy's; by making him the one who saves the day thanks to his sacrifice and the amulet from Angel. In the shooting script it's implied that the Slayer Spell is what actually unlocks the amulet's power and Spike is then connected to the new Slayers - he feels their pain as they are injured - but that doesn't come across in the episode itself.
no subject
Date: 2013-07-01 11:44 pm (UTC)I wonder how much of that was the writers giving fandom what it wanted, and how much of it was based on the writer's feelings independent from the fandom.
In the shooting script it's implied that the Slayer Spell is what actually unlocks the amulet's power and Spike is then connected to the new Slayers - he feels their pain as they are injured - but that doesn't come across in the episode itself.
I didn't know that. That's a cool detail that I wish they'd kept in.
no subject
Date: 2013-06-30 01:48 pm (UTC)http://ever-neutral.livejournal.com/5745.html
"... And I think I'll backtrack and explain my random sympathy for Warren. It was just this one casual moment in Seeing Red, when he's getting ready to kick the ass of some guy he went to school with: "It's Warren! Remember, Warren, gym class, fifth period? You and your jock buddies used to give me such a hard time. That thing with the underwear? God, I thought I'd never stop crying."
... It's [S6] about power.
It's about control and identity too."