"Welcome to the Hellmouth" / "Bring on The Night"

[red_satin_doll]

"You're standing at the mouth of Hell. And it's about to open up." *

***
"I'm beyond tired. I'm beyond scared.
I'm standing on the mouth of Hell and it's going to swallow me whole. And it'll choke on me." **

* Joss Whedon
** Marti Noxon & Douglas Petrie

Comments

[red-satin-doll.livejournal.com]

I suppose for me she was the grounding in reality. Buffy could go through her front door and live normal for a bit, have a rest. I liked the way they handled the big reveal as well and Joyce's reaction. So correlates to real life.

*nods* I actually thought the metaphor of being "in the closet" was generally well-done (and not specific to sexual orientation) so I wanted more of Joyce in the story but did the reveal and how Joyce handle it seem real? Yes, very much so. And I think those moments are the most upsetting (for most people) watching the show because we want characters we love to be better than that, to be better than what they are.

[comlodge.livejournal.com]

we want characters we love to be better than that, to be better than what they are.

That is so true. We want out tv people to be larger than life and oh so much better than we are. We want to think our mums would be better than that. And of course Joyce is. But we are reminded she is human, they all are and are allowed to show it and grow from it.

I really dilike S5 Spike - for his clumsy courting attempts, his Bufffy shrine. I wanted a smooth operator, after all 100plus years of experience.

Except William died a shy, 28yr old virgin withe one failed attempt at courting. So of course Spike is bumbling and awkward in what is only his second attempt at winning the girl. And he is alone, a lot so plenty of room for an obsession to grow.

[red-satin-doll.livejournal.com]

And of course Joyce is. But we are reminded she is human, they all are and are allowed to show it and grow from it.

Exactly THIS.